Review: Joshua’s “Choices”
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UPDATE: The album will be available on June 24 on Arctic Rodeo in various cool colors of vinyl! It will also be available on CD.
All about Music and pop culture with hipster musings and more. Sometimes I might throw a little visual art into the mix. Follow me on Twitter: @allanraible
A little late to put up links to these, but I suppose it's better late than never, In December, I posted a tribute to John Lennon. You can read it here. At the end of the year, I counted back my 50 favorite albums of 2010. You can read that list here. Earlier this month, I also wrote a tribute to Broadcast's singer, Trish Keenan, who died suddenly after a battle with pneumonia. You can read my tribute here.
Sometimes I fear that I've become a hardened cynic only satisfied by indie rock and underground hip-hop. This fear of musical snobbery is potentially deep, for as a music fan, I often feel that pop music (or rather what passes for pop these days) doesn't usually reflect the best of what's out there. Sometimes I can't decide if I'm trying to suffocate my inner hipster or a burgeoning old fart. But every now and again these fears are proven to actually be unwarranted.
Please follow this link if you want to read my track-by-track review of Mark Ronson & The Business Intl's new album, "Record Collection." As always, you can find reviews of new albums on my "On The Record" blog over at ABC News. The archives for that blog go back to August of 2007.
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For years, I never understood what the big deal was about vinyl coming back. I viewed it as an old, scratchy medium. That was until I started listening to vinyl versions of albums I first heard on CD. It's a completely different listening experience. And if you have a great stereo, the vinyl sound can be more pure and natural. This is especially true when it comes to hearing bass.
Actually, there's only one release I'm looking forward to hearing tomorrow, and that's Eels' album, "Tomorrow Morning." It's the third album in under 15 months from the band, following the June 2009 release of "Hombre Lobo," and this past January's release, "End Times." Leader, E. has yet to deliver a disappointing Eels record. It's safe to say that like all of its predecessors, this record will most likely be equally depressing and uplifting. There's a kind oddly hangdog brand of optimism in E's work. It makes him one of a kind.
Cee-Lo’s new single is literally called “F__k You.” Before you are turned off by the name, you need to know that it’s a chunk of undeniable soul that will probably bring a smile to even the most conservative music fan. It’s a high-quality nugget of funk. It’s the kind of vintage R&B not heard since the peak of Motown and Stax. (If you don’t believe me, look the song up on youtube!) This song obviously won’t get the airplay it deserves due to its title and its repeated lyrics. Censoring it by traditional means could hinder the listening experience, thus I propose a plan. I wish radio stations could play this song uncensored after 11 PM. This is the kind of track radio needs right now. It’s sad that it has an unmentionable chorus and title according to the guidelines set up by the FCC. This is the best song to appear this summer. It’s the kind of song that I would hope would win over people who would otherwise be offended! I remember a few years back when Cee-Lo was hyped because of his Gnarls Barkley song, “Crazy.” This song is ten times more likable than that track. It’s the best song with a foul title since Eels’ masterpiece, “It’s a Motherf__ker” ten years ago.
And yes, I sense the irony that I’ve censored all of the “objectionable” titles. Maybe I’m not quite as daring as I talk myself up to be. Maybe I’m worried about offending people, too. What can you do? I’m a truly complex, paradoxical man!
In any case, you need to check out this song and check your standards at the door. Believe me, this song is worth it!
Nielsen SoundScan reported that only 4.95 million albums were sold last week. That’s a record low, going back to 1991 when the SoundScan era began. The industry has long been in decline, so the question is, how can it be reinvigorated?
Of course, in the digital age, with the physical product becoming less of a mainstay in the marketplace, people are sharing their collections with each other more easily. In that way the technology is flawed. It used to be if you and your friend wanted to get the same album, you bought two copies. But, imagine this. What if there is an album that is not sold in its physical form? You and a friend both like the artist. If it were available on a physical disc, you and your friend would each pick up a copy. It doesn’t make sense to download it twice, so you download it once and you and your friend each burn a copy. I suspect scenarios like this are playing out around the country every day. Pow!! There you have one potential cause for the sales drop.
Let’s face the fact as well that the music on pop radio doesn’t even come close to giving an appropriate sampling of the best music available. Year after year the labels promote what tends to be their most pedestrian material. No one takes risks anymore! They are so busy trying to start and manipulate trends that they forget that radio is supposed to serve the people. Many great records are released every year. Some of them are even on the majors. Those great records often don’t receive airplay. The system needs correcting and radio playlists need to be opened up and reexamined. Imagine, your future favorite album may have just been released, but if it’s not one that is getting much airplay you may never find out it exists. If that’s your only pipeline into what’s new and hip, the industry just lost a sale.
I read as much as I can about new albums. The indie press is the only way to get anything close to an accurate reading of trends in the industry. I firmly believe in the physical product. I feel that it’s more permanent and that it makes the medium of music less disposable and more tangible. I love album artwork and liner notes. Somehow we got to a point where too many people view music as something that should be free. Artists need money. Art will only flourish if people have the freedom to devote their lives to their craft. Without a monetary backbone, culture dies. I’ve seen too many bands I like get dropped by their labels. That’s why every week I always purchase new releases.
The public needs to wake up and realize that if the industry keeps this up level of decline, eventually it will be unsustainable and will collapse. Do you want a world without commercial music? I don’t think you do! So, do me a favor, please, if you can. After you read this, go out to your local record store (if you still can find one) or if you wish go online and buy some music. Support the industry. Music needs your help!!